HOLD/STILL

Ikùn | Mufutau Yusuf

Following the international success of the duet IMPASSE (Dublin Dance Festival, Sadler’s Wells, Lowry) and the outdoor solo Proses on neither here nor there (Aerowaves Spring Forward 2026), Mufutau Yusuf embarks on a new creation for 2027, developed under the new name of his company IKÙN.

HOLD/STILL is a solo performance exploring what happens when a body is prevented from completing its own ritual of transition. Drawing inspiration from the iconic play Death and the King’s Horseman by Nigerian playwright Wole Soyinka, it examines interruption, agency, and the lasting impact of imperial power on the body and its rites.

HOLD/STILL began from my growing frustration with how easily the world learns to live alongside violence. Not only spectacular violence, but the quieter forms: the slowing down of certain lives, the constant negotiation for dignity.”

In the play a ritual is cruelly forbidden by the colonial powers – creating a permanent societal wound. For the artist this rupture becomes a metaphor about what happens when continuity is repeatedly broken; when a body is denied the right to move freely, mourn fully, transform openly, or belong without condition. At the same time, it insists on the body as a site that continues to carry memory, refusal, and possibility. Even under pressure, even under interruption, the body holds forms of knowledge that power cannot fully erase.