IT’S THE END OF THE AMUSEMENT PHASE

Chara Kotsali

In a dance marathon that spans the historical continuum, three women regress between personal and collective history.

Focusing on the dancing body and using sound and poetry as materials, the piece grapples with the notion of progress as the most exhausting linear narrative. In the wake of a technological and social revolution that ultimately did not happen, ΙT’S THE END OF THE AMUSEMENT PHASE attempts to speak of the present’s emotional history.

Three female dancers interact on stage with the past that lies ahead of us and the future we have left behind. They engage in a dance that exhausts their emotional and physical resources. It is a choreography about the ambivalent relationship of the individual and collective body with history, about the link between progress and destruction, about dances of fun, pleasure, and propaganda.